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Curl Up And Die Albums

The One Of Above All, The End Of All That Is (2005)

The One Above All, the End of All That Is (2005)

We May Be Through With The Past... (2003)

But The Past Ain't Through With Us (2003)

Unfortunately We're Not Robots (2002)

The Only Good Bug Is A Dead Bug (2000)

1998 (1998)


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100 M.p.h. Vomit Dedicated To Jon

Absolute Denial Of The Ultimate Nullifier

All *

An Uncomfortable Routine

An Uncorfortable Routine

And Then The Robots k**ed

Antidepressants Are Depressing

Are *

Black Out

Blood Mosh Hips Hair Lips Pills f** d**h

China Part Breakdown

Contra Code

Damn Girl, That sh** Is Deep Like An Ocean

Doctor Doom, A Man Of Science, Doesn't Believe In Jesus, Why The f** Do You

God Is In His Heaven, All Is Right With The World

Hella Vegas Kids Say Hella

I Don't Give A sh** If I'm In Outer Darkness, I'll Make Friends *

I Hate Almost Every Person I Come In Contact With

I Lost My Job To A Machine

I'm Trying To Fly To The Moon Using Two Magnets And Willpower


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Curl Up And Die Biography:



Las Vegas-based metalcore unit Curl Up and Die formed from the ashes of two other bands, Shelflife and The End. After enduring the usual round of initial lineup shifts, the new project solidified around guitarists Matt Fuchs and Ryan Hartery, ba**ist Geoff Bergman, vocalist Mike Minnick, and drummer Jesse Fitts. The self-released The Only Good Bug Is a Dead Bug EP appeared in 2000, and was quickly snapped up by Status; a 7" for the label followed, as did an attention-getting 2001 tour. Revelation liked what it heard -- it signed the band to a multi-album deal. However, before anything could be recorded both Bergman and Hartery departed. Undeterred, Fuchs, Fitts, and Minnick issued Curl Up's punishing Revelation debut in May 2002 with the LP Unfortunately We're Not Robots. Ba**ist Gavan Nelson joined the band soon after. Curl Up and Die returned in 2003 with two EPs, April's We Can Be Through With the Past... (Status) and the October companion, But the Past Is Not Through With Us. The releases further showcased the band's layered, technically efficient, and thoroughly thrashing sound. ~ Johnny Loftus, All Music Guide



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